- Thomas Arnolds
- Brandy Brandstätter
- Christopher Bucklow
- Natalie Czech
- Ines Doujak
- Jan Paul Evers
- Michela Ghisetti
- Antonio Girbés
- Dorothee Golz
- Vivian Greven
- Bernadette Huber
- Eva Jospin
- Robert Kunec
- Alina Kunitsyna
- Hans Kupelwieser
- Margaret Lansink
- Tina Lechner
- Mevlana Lipp
- Constantin Luser
- Joel Meyerowitz
- Sissa Micheli
- Jürgen Münzer
- Loredana Nemes
- Hans Op de Beeck
- Fabian Ramirez
- Julia Scher
- Stefanie Seufert
- Eva Schlegel
- Paul Spendier
- Wolfgang Walkensteiner
- Clemens Wolf
Margaret Lansink, Touch (Friction), 2022Archival Pigment Print on Kozo Washi paper, Edition 2/7, 89 x 127 cm
Kollitsch Collection
Margaret Lansink, Subtle 2, 2020Collage printed on Kizuki handmade Washi paper, mended with 23Kt gold leaf, 88 x 48 cm
Courtesy of the artist and IBASHO Gallery, Antwerp
Through the Japanese technique of Kintsugi, where broken pottery pieces are put back together with gold lacquer, highlighting the cracks and breaks, Margaret Lansink expresses fault lines in her own life story, processing blows such as losing contact with her daughter. Similar to metaphors, her pictures divide up experiences into individual parts, then re-combine and re-arrange them. By emphasising the cracks with gold leaf, she shows her appreciation of the imperfect and points towards the inherent beauty of all things, their fragility, and the hope for new connections that are stronger and even more beautiful than before, precisely because they were once broken.
Margaret Lansink, Tranquility 2, 2021Collage printed on Kizuki handmade Washi paper, mended with 23Kt gold leaf, 88 x 48 cm
Courtesy of the artist and IBASHO Gallery, Antwerp
