- Thomas Arnolds
- Brandy Brandstätter
- Christopher Bucklow
- Natalie Czech
- Ines Doujak
- Jan Paul Evers
- Michela Ghisetti
- Antonio Girbés
- Dorothee Golz
- Vivian Greven
- Bernadette Huber
- Eva Jospin
- Robert Kunec
- Alina Kunitsyna
- Hans Kupelwieser
- Margaret Lansink
- Tina Lechner
- Mevlana Lipp
- Constantin Luser
- Joel Meyerowitz
- Sissa Micheli
- Jürgen Münzer
- Loredana Nemes
- Hans Op de Beeck
- Fabian Ramirez
- Julia Scher
- Stefanie Seufert
- Eva Schlegel
- Paul Spendier
- Wolfgang Walkensteiner
- Clemens Wolf
Jan Paul Evers, Sommerfrische mit Kunstprofessoren, 2019Gelatin silver print, 89,5 x 96,5 cm
Kollitsch Collection
Jan Paul Evers, Vergegenwärtige Möglichkeit produktivitätsvermehrender Abkühlung, 2018Gelatin silver print, 80 x 80 cm
Kollitsch Collection
The essence of the picture compositions by Jan Paul Evers is based on the theme itself and a comprehensive work process takes shape in the darkroom. His photographs of architecture, landscapes, people and everyday objects are subjected to a multi-layer transformation process which converts the original theme as the starting point into a new picture form, thereby creating a unique piece.
— Magdalena Koschat
Jan Paul Evers, Das Leben und der Tod (Jacques Tati), 2019Gelatin silver print on baryta paper, hand print, 61 × 48 cm
Kollitsch Collection
In his oeuvre, Jan Paul Evers explores the technical possibilities of analogous black and white camerawork. Starting with a photograph, he creates new, sometimes abstract shapes in a complex darkroom process. The shapes are rooted in his conceptual exploration of space and are brought to life through the effective use of grayscales, the interplay of light and shadow and the use of templates and experimental techniques.
— Magdalena Koschat
