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21.10.2024 - 04.07.2025

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  • Thomas Arnolds
  • Cornelia Baltes
  • Hans Bischoffshausen
  • Brandy Brandstätter
  • Ulu Braun
  • Edward Burtynsky
  • Sandi Červek
  • Caroline Wells Chandler
  • Lutz Driessen
  • Irena Eden & Stijn Lernout
  • Cédric Eisenring
  • Jan Paul Evers
  • Lino Fiorito
  • Christian Freudenberger
  • Antonio Girbés
  • Bruno Gironcoli
  • Gernot Gleiss
  • Dorothee Golz
  • Jochem Hendricks
  • Andy Holtin
  • Pedro Jardim de Mattos
  • Robert Kunec
  • Alina Kunitsyna
  • Hans Kupelwieser
  • Ulrich Lamsfuß
  • Tina Lechner
  • Gerhard Lojen
  • Constantin Luser
  • Joel Meyerowitz
  • Sissa Micheli
  • Olga Pedan
  • Ulrich Pester
  • Damir Radović
  • Thomas Rentmeister
  • Evan Roth
  • Robert Schad
  • Jon Shelton
  • Hayley Aviva Silverman
  • Tracey Snelling
  • Nina Rike Springer
  • Vincent Tavenne
  • Oman Valentin
  • Ina Weber
© Vincent Tavenne © Vincent Tavenne Vincent Tavenne, Ohne Titel [Untitled], 2003
, Wood, polystyrene, gouache, metal \ 300 x 300 x 4 cm
Kollitsch Collection

The starting point for a comprehensive group of works, which addresses the theme of the circle in all its complex symbolism, lies in the magnificently illustrated Bible moralisée, the Codex Vindobonensis 2554 of the Austrian National Library. The cover picture with 13th century Gothic lettering shows God as the creator of the world, shaping the earth with an oversized compass. Based on this, Vincent Tavenne depicts the outer edge of this ancient disc as a vast loose object with cosmic sculptural impact.

— Magdalena Koschat

© Vincent Tavenne © Vincent Tavenne Vincent Tavenne, Ohne Titel [Untitled], 2003
, Gouache on canvas \ 220 x 160 cm
Kollitsch Collection

Inspired by a mediaeval depiction of God as the creator of the world, this cycle of works by Vincent Tavenne creates gouache paintings and objects of different formats, materials and colours based on the circle whereby the artist draws on the theme of cosmic order. Spirals, wave forms and organic elements unfold endlessly and create universal connections, harmonised in circle forms.

— Magdalena Koschat

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