Painting and graphical reproduction form the focal point of Christian Freudenberger’s creative artistic process in which he exploits the design possibilities of the aforementioned media and takes questioning the value of painting to its limit. The image composition of his collages is dominated by graphical elements and their ratio of surface and space, often following a rigorous arrangement which initially seems to be self-sufficient. Nevertheless, the interaction of different picture elements gives rise to a means of observation in which all the parts come together to form a whole and a homogenous picture composition is created.             

— Magdalena Koschat

Painting and graphical reproduction form the focal point of Christian Freudenberger’s creative artistic process in which he exploits the design possibilities of the aforementioned media and takes questioning the value of painting to its limit. The image composition of his collages is dominated by graphical elements and their ratio of surface and space, often following a rigorous arrangement which initially seems to be self-sufficient. Nevertheless, the interaction of different picture elements gives rise to a means of observation in which all the parts come together to form a whole and a homogenous picture composition is created.