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21.10.2024 - 04.07.2025

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  • Afra Al Suwaidi
  • Maria Anwander & Ruben Aubrecht
  • Cornelia Baltes
  • Alfredo Barsuglia
  • Wolfgang Becksteiner
  • Lucile Boiron
  • Brandy Brandstätter
  • Julius Brauckmann
  • Christopher Bucklow
  • Natalie Czech
  • Ines Doujak
  • Simon Edmondson
  • Jan Paul Evers
  • Gernot Fischer-Kondratovitch
  • Andreas Fogarasi
  • Dorothee Golz
  • Vivian Greven
  • Lucy Ivanova
  • Anna Jermolaewa
  • Rohullah Kazimi
  • Soli Kiani
  • Herlinde Koelbl
  • Suse Krawagna
  • Eric Kressnig
  • Tina Lechner
  • Axel Lieber
  • Mevlana Lipp
  • Constantin Luser
  • Sissa Micheli
  • Marianne Oberwelz
  • Mohannad Orabi
  • Markus Orsini-Rosenberg
  • Aitor Ortiz
  • Max Peintner & Klaus Littmann
  • Margot Pilz
  • Megan Rooney
  • Heimo Setten
  • Toni Schmale
  • Esther Stocker
  • Wolfgang Tillmans
  • Mikhail Tolmachev
  • Martina Unterwelz
  • Karl Vouk
  • Maja Vukoje
  • Yunyao Zhang
© Dorothee Golz © Dorothee Golz Dorothee Golz, Madonna mit den weißen Federn [Madonna with the White Feathers], 2011
, C-Print, Diasec, 130 x 98 cm
Kollitsch Collection

The Madonna's is directed downwards, her head inclined, her posture graceful. However, the delicate hands do not tenderly hold the baby Jesus, but rest against a designer dress. The contrast between the fashionable clothing and the symbolism of the Madonna draws attention to the role of women in society, a topic which the artist explores in her digital paintings. 

— Magdalena Koschat

© Dorothee Golz © Dorothee Golz Dorothee Golz, Prada-Girl, 2012
, C-Print, Diasec, 130 x 102 cm
Kollitsch Collection

The historically influenced view of the role of women and the present-day depiction of women in women's magazines inspire Dorothee Golz to play with contemporary clichés. In this work, the artist depicts a young lady from the 15th century wearing a sophisticated mini-dress and valuable accessories against a rustic background.  The proud, inflexible gaze of this fine figure rises symbolically above all the time traveller's compulsions.

— Magdalena Koschat

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