Christian Flora’s works bear witness to an intensive study of classical painting techniques. Today, in a world of instant imagery where we are continually flooded by the media, these rare representatives of fine painting are exquisitely unusual and in the highest category of luxury. The sensory evidence of the patient brushstroke, the precise craftsmanship and the subtle depiction of materiality may be immanent, but they are also physically tangible. The monochrome presentation reflects the former prestige of the protagonists, broken only by the addition of everyday themes celebrating a glorification of alienation and the bizarre.
— Silvia Müllegger