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Exhibitions

SCHAU....7
1 October 2021 – 8 July 2021

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  • Rozbeh Asmani
  • Hubert Becker
  • Hans Bischoffshausen
  • Brandy Brandstätter
  • Julius Brauckmann
  • Ulu Braun
  • Sandro Chia
  • Lutz Driessen
  • Cédric Eisenring
  • Jan Paul Evers
  • Christian Flora
  • Dietmar Franz
  • Jakob Gasteiger
  • Michela Ghisetti
  • Bruno Gironcoli
  • Jochem Hendricks
  • Andy Holtin
  • Soli Kiani
  • Peter Klare
  • Alina Kunitsyna
  • Hans Kupelwieser
  • Ulrich Lamsfuß
  • Tina Lechner
  • Mevlana Lipp
  • Peter Lohmeyer
  • Constantin Luser
  • Klaus Merkel
  • Sissa Micheli
  • Ferdinand Neumüller
  • Olga Pedan
  • Ulrich Pester
  • Peter Pongratz
  • Damir Radović
  • Thomas Rentmeister
  • Markus Riebe
  • Megan Rooney
  • Evan Roth
  • Robert Schad
  • Eva Schlegel
  • Ralph Schuster
  • Hayley Aviva Silverman
  • Tracey Snelling
  • Nina Rike Springer
  • Laura Stadtegger
  • Ina Weber
Snelling Tracey, Clusterfuck 6 Snelling Tracey, Clusterfuck 6 Tracey Snelling, Clusterfuck 6, 2016
, Mixed techniques, videos, sound, LEDs, 60 x 40 x 40 cm
Kollitsch Collection

In her works, Tracy Snelling combines sculpture with video, sound, photography and light. The works are the result of the artist’s socio-critical approach to society and the individual and enable participation in exaggerated, fictitious realities in a somewhat voyeuristic way. In Clusterfuck 6, a multi-layered chaos of various issues and cultures can be observed, condensed within a small sculptural space. By attempting to bring order to the overloaded image in visual and multi-media terms, the observer is drawn into a diverse voyage of discovery of simultaneity and opposites.

Snelling Tracey, Cheetah's Snelling Tracey, Cheetah's Tracey Snelling, Cheetah's, 2016
, Wall object, mixed techniques, videos, sound, LEDs, 52 x 59 x 8 cm
Courtesy of Krupic Kersting Galerie II Kuk, Cologne

Tracey Snelling’s Cheetah’s shows a strip club which seems to preserve the mysteries of its interior through its banal and shabby façade. Tracey Snelling’s video allows the observer to participate in the erotically charged scenario inside while playing on the charm of what is concealed and on people’s inner curiosity for voyeuristic insight. The seemingly glamorous world seems to represent a stark contrast to the outer appearance and at the same time, is a metaphor for a short foray into the world of fantasy and the subsequent return to the uniformity of everyday life.

Snelling Tracey, The Bridge Snelling Tracey, The Bridge Tracey Snelling, The Bridge, 2012
, Wall object, mixed techniques, videos, sound, LEDs, 38.6 x 60.5 x 8 cm
Courtesy of Krupic Kersting Galerie II Kuk, Cologne
Biography
KUNSTHAUS : KOLLITSCH
Deutenhofenstrasse 3
9020 Klagenfurt
Opening hours
MONDAY - THURSDAY:
8AM - 5PM
FRIDAY: 8AM - 2PM
and by appointment
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+43 463 26009 88
kunsthaus@kollitsch.eu
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