- Rozbeh Asmani
- Hubert Becker
- Hans Bischoffshausen
- Brandy Brandstätter
- Julius Brauckmann
- Ulu Braun
- Sandro Chia
- Lutz Driessen
- Cédric Eisenring
- Jan Paul Evers
- Christian Flora
- Dietmar Franz
- Jakob Gasteiger
- Michela Ghisetti
- Bruno Gironcoli
- Jochem Hendricks
- Andy Holtin
- Soli Kiani
- Peter Klare
- Alina Kunitsyna
- Hans Kupelwieser
- Ulrich Lamsfuß
- Tina Lechner
- Mevlana Lipp
- Peter Lohmeyer
- Constantin Luser
- Klaus Merkel
- Sissa Micheli
- Ferdinand Neumüller
- Olga Pedan
- Ulrich Pester
- Peter Pongratz
- Damir Radović
- Thomas Rentmeister
- Markus Riebe
- Megan Rooney
- Evan Roth
- Robert Schad
- Eva Schlegel
- Ralph Schuster
- Hayley Aviva Silverman
- Tracey Snelling
- Nina Rike Springer
- Laura Stadtegger
- Ina Weber
Andy Holtin, Trying to remember only damages the memory. It’s best to just leave it alone, 2015Installation with rocking chair and light \ 102 x 50 x 30 cm
Kollitsch collection
Andy Holtin researches the interplay of technique, objects and material from our western culture and generates kinetic objects in which movement is incorporated into the work of art as an integral, aesthetic component.Trying to remember only damages the memory. It’s best to just leave it aloneshows an empty rocking chair moving monotonously back and forth in a sterile room, illuminated with varying lighting conditions created from artificial daylight and night light which visualise the passing of time. The installation associates human movement models with a contemplative situation and at the same time points out its absence.
— Magdalena Koschat
