- Rozbeh Asmani
- Hubert Becker
- Hans Bischoffshausen
- Brandy Brandstätter
- Julius Brauckmann
- Ulu Braun
- Sandro Chia
- Lutz Driessen
- Cédric Eisenring
- Jan Paul Evers
- Christian Flora
- Dietmar Franz
- Jakob Gasteiger
- Michela Ghisetti
- Bruno Gironcoli
- Jochem Hendricks
- Andy Holtin
- Soli Kiani
- Peter Klare
- Alina Kunitsyna
- Hans Kupelwieser
- Ulrich Lamsfuß
- Tina Lechner
- Mevlana Lipp
- Peter Lohmeyer
- Constantin Luser
- Klaus Merkel
- Sissa Micheli
- Ferdinand Neumüller
- Olga Pedan
- Ulrich Pester
- Peter Pongratz
- Damir Radović
- Thomas Rentmeister
- Markus Riebe
- Megan Rooney
- Evan Roth
- Robert Schad
- Eva Schlegel
- Ralph Schuster
- Hayley Aviva Silverman
- Tracey Snelling
- Nina Rike Springer
- Laura Stadtegger
- Ina Weber
Markus Riebe, Digital Echoes 6, 2019Pigment print (Ultrachrome™) laminated on a lenticular disc, 120 x 90 cm
Courtesy of the artist and Artemons Contemporary in Vienna
Markus Riebe, District 26, 2018Pigment print (Ultrachrome™) laminated on a lenticular disc, 120 x 90 cm
Kollitsch Collection
Markus Riebe’s art reveals an extended level of perception in each picture. Thanks to a lenticular disc, a three-dimensional space opens up within it, but it keeps changing, depending on the angle from which it is viewed. Starting with computer-generated drawings, abstract and representational elements come floating forward, set against map-like or fictitious backgrounds. These elements originate from an artificially designed world, defining space as a place of perception and experience. As the 3D effect of his works cannot be mapped onto photographs, Markus Riebe creates the spatial impact by means of an animated image file.
