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21.10.2024 - 04.07.2025

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  • Afra Al Suwaidi
  • Maria Anwander & Ruben Aubrecht
  • Thomas Arnolds
  • Rozbeh Asmani
  • Cornelia Baltes
  • Alfredo Barsuglia
  • Hubert Becker
  • Wolfgang Becksteiner
  • Hans Bischoffshausen
  • Lucile Boiron
  • Brandy Brandstätter
  • Brandy Brandstätter / Kollitsch
  • Karl Brandstätter
  • Julius Brauckmann
  • Ulu Braun
  • Edward Burtynsky
  • Christopher Bucklow
  • Sandi Červek
  • Caroline Wells Chandler
  • Sandro Chia
  • Louisa Clement
  • Natalie Czech
  • Anna Daučíková
  • Violet Dennison
  • Ines Doujak
  • Lutz Driessen
  • Sophie Dvořák
  • Irena Eden & Stijn Lernout
  • Simon Edmondson
  • Cédric Eisenring
  • Jan Paul Evers
  • Lino Fiorito
  • Gernot Fischer-Kondratovitch
  • Christian Flora
  • Andreas Fogarasi
  • Dietmar Franz
  • Christian Freudenberger
  • Jakob Gasteiger
  • Michela Ghisetti
  • Antonio Girbés
  • Bruno Gironcoli
  • Gernot Gleiss
  • Dorothee Golz
  • Franz Grabmayr
  • Ernst Gradischnig
  • Vivian Greven
  • Wolfgang Grinschgl
  • Jochem Hendricks
  • Giselbert Hoke
  • Andy Holtin
  • Bernadette Huber
  • Lucy Ivanova
  • Pedro Jardim de Mattos
  • Anna Jermolaewa
  • Eva Jospin
  • Zhanna Kadyrova
  • Rohullah Kazimi
  • Soli Kiani
  • Peter Klare
  • Jakob Lena Knebl
  • Herlinde Koelbl
  • Cornelius Kolig
  • Arnulf Komposch
  • Suse Krawagna
  • Eric Kressnig
  • Robert Kunec
  • Alina Kunitsyna
  • Hans Kupelwieser
  • Ulrich Lamsfuß
  • Margaret Lansink
  • Karl Larsson
  • Tina Lechner
  • Jens Liebchen
  • Axel Lieber
  • Mevlana Lipp
  • Peter Lohmeyer
  • Gerhard Lojen
  • Constantin Luser
  • Klaus Merkel
  • Joel Meyerowitz
  • Sissa Micheli
  • Jürgen Münzer
  • Loredana Nemes
  • Ferdinand Neumüller
  • Marianne Oberwelz
  • Arnold Odermatt
  • Hans Op de Beeck
  • Bernd Oppl
  • Mohannad Orabi
  • Markus Orsini-Rosenberg
  • Aitor Ortiz
  • Olga Pedan
  • Max Peintner & Klaus Littmann
  • Ulrich Pester
  • Margot Pilz
  • Peter Pongratz
  • Arnold Pöschl
  • Hannes Rader
  • Damir Radović
  • Fabian Ramirez
  • Thomas Rentmeister
  • Markus Riebe
  • Megan Rooney
  • Evan Roth
  • Issa Salliander
  • Robert Schad
  • Julia Scher
  • Heimo Setten
  • Stefanie Seufert
  • Eva Schlegel
  • Toni Schmale
  • Ralph Schuster
  • Jon Shelton
  • Hayley Aviva Silverman
  • Tracey Snelling
  • Paul Spendier
  • Nina Rike Springer
  • Laura Stadtegger
  • Martin Steinthaler
  • Esther Stocker
  • Pier Stockholm
  • Howard Tangye
  • Vincent Tavenne
  • Wolfgang Tillmans
  • Mikhail Tolmachev
  • Martina Unterwelz
  • Oman Valentin
  • Anna Virnich
  • Karl Vouk
  • Maja Vukoje
  • Wolfgang Walkensteiner
  • Ina Weber
  • Clemens Wolf
  • Yunyao Zhang
© Hayley Aviva Silverman © Hayley Aviva Silverman Hayley Aviva Silverman, Persistence, 2016
, Nickel steel hospital bedpan, polyurethane, foodstuffs (Soba noodles, Portobello mushrooms, Enoki mushrooms, chicken meat), epoxy resin, Piano Baby figures, Willendorf figure, 12 x 32 x 45 cm
Kollitsch Collection
© Hayley Aviva Silverman © Hayley Aviva Silverman Hayley Aviva Silverman, Health, 2016
, Enamel bedpan, lamp, tiles, miniature tin and oven, Piano Baby figure, LED light, polyurethane, foodstuffs (Ramen noodles, oyster, duck, sugar snap peas, mushrooms), 35 × 40 × 30 cm
Courtesy of the artist and DREI Gallery, Cologne

Hayley Aviva Silverman uses a range of media in her sculpture, painting, video and performance work and her artistic approach reflects on handling memories and preserving thoughts and materials in the past and present.Healthis derived from one of the artist’s series in which figures of people and animals and various objects are presented alongside deceptively realistic looking plastic foods in small bowls cast in synthetic resin. With their virtuous titles, the rich ingredients of these ‘soup sculptures’ make a complex reference to socially critical issues such as the material and non-material values of our society.

— Magdalena Koschat

© Hayley Aviva Silverman © Hayley Aviva Silverman Hayley Aviva Silverman, Bitter Water Playbook, 2016
, Digital printing on brushed steel, 166 x 92 cm
Courtesy of the artist and DREI Gallery, Cologne

Girl power could be the motto of the work by Hayley Aviva Silverman but she doesn’t make it that easy for the observer. The title of the ‘Bitter Water’ panel refers to the alleged ordeals detailed in the Hebrew Scriptures according to which women accused by their husbands of adultery were forced to drink poison. In the (unlikely) event that they survived, they were deemed to be innocent. She counters this with strong women, Amazons, who are anything but erotic and thereby creates an impression of the self-image which all women should have.

— Frank Falderbaum

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