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21.10.2024 - 04.07.2025

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  • Afra Al Suwaidi
  • Maria Anwander & Ruben Aubrecht
  • Thomas Arnolds
  • Rozbeh Asmani
  • Cornelia Baltes
  • Alfredo Barsuglia
  • Hubert Becker
  • Wolfgang Becksteiner
  • Hans Bischoffshausen
  • Lucile Boiron
  • Brandy Brandstätter
  • Brandy Brandstätter / Kollitsch
  • Karl Brandstätter
  • Julius Brauckmann
  • Ulu Braun
  • Edward Burtynsky
  • Christopher Bucklow
  • Sandi Červek
  • Caroline Wells Chandler
  • Sandro Chia
  • Louisa Clement
  • Natalie Czech
  • Anna Daučíková
  • Violet Dennison
  • Ines Doujak
  • Lutz Driessen
  • Sophie Dvořák
  • Irena Eden & Stijn Lernout
  • Simon Edmondson
  • Cédric Eisenring
  • Jan Paul Evers
  • Lino Fiorito
  • Gernot Fischer-Kondratovitch
  • Christian Flora
  • Andreas Fogarasi
  • Dietmar Franz
  • Christian Freudenberger
  • Jakob Gasteiger
  • Michela Ghisetti
  • Antonio Girbés
  • Bruno Gironcoli
  • Gernot Gleiss
  • Dorothee Golz
  • Franz Grabmayr
  • Ernst Gradischnig
  • Vivian Greven
  • Wolfgang Grinschgl
  • Jochem Hendricks
  • Giselbert Hoke
  • Andy Holtin
  • Bernadette Huber
  • Lucy Ivanova
  • Pedro Jardim de Mattos
  • Anna Jermolaewa
  • Eva Jospin
  • Zhanna Kadyrova
  • Rohullah Kazimi
  • Soli Kiani
  • Peter Klare
  • Jakob Lena Knebl
  • Herlinde Koelbl
  • Cornelius Kolig
  • Arnulf Komposch
  • Suse Krawagna
  • Eric Kressnig
  • Robert Kunec
  • Alina Kunitsyna
  • Hans Kupelwieser
  • Ulrich Lamsfuß
  • Margaret Lansink
  • Karl Larsson
  • Tina Lechner
  • Jens Liebchen
  • Axel Lieber
  • Mevlana Lipp
  • Peter Lohmeyer
  • Gerhard Lojen
  • Constantin Luser
  • Klaus Merkel
  • Joel Meyerowitz
  • Sissa Micheli
  • Jürgen Münzer
  • Loredana Nemes
  • Ferdinand Neumüller
  • Marianne Oberwelz
  • Arnold Odermatt
  • Hans Op de Beeck
  • Bernd Oppl
  • Mohannad Orabi
  • Markus Orsini-Rosenberg
  • Aitor Ortiz
  • Olga Pedan
  • Max Peintner & Klaus Littmann
  • Ulrich Pester
  • Margot Pilz
  • Peter Pongratz
  • Arnold Pöschl
  • Hannes Rader
  • Damir Radović
  • Fabian Ramirez
  • Thomas Rentmeister
  • Markus Riebe
  • Megan Rooney
  • Evan Roth
  • Issa Salliander
  • Robert Schad
  • Julia Scher
  • Heimo Setten
  • Stefanie Seufert
  • Eva Schlegel
  • Toni Schmale
  • Ralph Schuster
  • Jon Shelton
  • Hayley Aviva Silverman
  • Tracey Snelling
  • Paul Spendier
  • Nina Rike Springer
  • Laura Stadtegger
  • Martin Steinthaler
  • Esther Stocker
  • Pier Stockholm
  • Howard Tangye
  • Vincent Tavenne
  • Wolfgang Tillmans
  • Mikhail Tolmachev
  • Martina Unterwelz
  • Oman Valentin
  • Anna Virnich
  • Karl Vouk
  • Maja Vukoje
  • Wolfgang Walkensteiner
  • Ina Weber
  • Clemens Wolf
  • Yunyao Zhang
© Irena Eden & Stijn Lernout © Irena Eden & Stijn Lernout Irena Eden & Stijn Lernout , Ohne Titel (Circuit.3.23), 2019
, Chalk, pencil and coloured pencil on handmade paper, 31 x 45 cm
Private loan
© Irena Eden & Stijn Lernout © Irena Eden & Stijn Lernout Irena Eden & Stijn Lernout , Ohne Titel (Circuit.19.23), 2019
, Chalk, pencil and coloured pencil on handmade paper, 31 x 45 cm
Kollitsch collection
© Irena Eden & Stijn Lernout © Irena Eden & Stijn Lernout Irena Eden & Stijn Lernout , Ohne Titel (Circuit.14.23), 2019
, Chalk, pencil and coloured pencil on handmade paper, 31 x 45 cm
Kollitsch collection

The series Circuit came about in reference to the book “Circle Surface Sun – From Somewhere in the Mediterranean”, published by Irena Eden and Stijn Lernout together with the Kunstverein Konstanz in 2020. In the book, the artist duo asked 23 authors from all countries adjoining the Mediterranean to contribute texts on the perception of light where they live. The book “Circle Surface Sun” was born from these essays with their highly personal, yet at the same time political content, together with a series of photographs of light reflections on the surface of the sea. To accompany the book, a frottage process was used to transfer the photographs onto handmade paper for further processing. Fine lines and geometric shapes are reminiscent of a surveying or coordinate system; of stopping points or orientation aides in a boundless space.

— Magdalena Koschat

© Irena Eden & Stijn Lernout © Irena Eden & Stijn Lernout Irena Eden & Stijn Lernout , Ohne Titel, (Elektro I-IV), I, 2011
, Pencil and felt pen on paper \ Each 47 x 36 cm
Courtesy krupic kersting galerie ll kuk, Köln

Space is portrayed as a showplace of political conditions in the project "Bring Home the Bacon" (2010), source of the drawingsElektro I-IV. The concept is inspired by the guest worker movement at the end of the 1960s and focuses on the topic of earning a living by thematising the deeply significant route between the south-east European countries and the west known as the Autoput. As an analogy to work as a means of earning a living, Irena Eden and Stijn Lernout travelled the Autoput in the opposite direction, from Vienna towards Istanbul. Here they had a bakery bake bread according to various traditional recipes they collected along the way.

— Magdalena Koschat

© Irena Eden & Stijn Lernout © Irena Eden & Stijn Lernout Irena Eden & Stijn Lernout , Ohne Titel, 2012
, Acrylic on HDF \ 40 x 40 x 8 cm
Courtesy krupic kersting galerie ll kuk, Köln
© Irena Eden & Stijn Lernout © Irena Eden & Stijn Lernout Irena Eden & Stijn Lernout , Ohne Titel, 2010/11
, Acrylics, pencil, dispersion and adhesive tape on HDF, 66.5 x 88 cm
Kollitsch collection

The artistic activities of Irena Eden and Stijn Lernout are based on explorations of the varying conditions and parameters of space. This exploration of the linear relationships in spatial structures is not only articulated in their drawings and objects, it also serves as an inspiration for their large-scale projects, in which they extend the term "space" to encompass cities and geographical regions. At the same time, space as a mathematical display form is elevated to a place in which experiences and sensations meet.

— Magdalena Koschat

© Irena Eden & Stijn Lernout © Irena Eden & Stijn Lernout Irena Eden & Stijn Lernout , Ohne Titel, (Elektro I-IV), II, 2011
, Pencil and felt pen on paper \ Each 47 x 36 cm
Courtesy krupic kersting galerie ll kuk, Köln

Elektro I-IVreflect the distances covered, the various stopping points and encounters, the experiences and sensations in geometrical form. Axes, levels and perspectives are combined mathematically with the coincidental expansion of the colour areas, which take on the character of watercolours through the use of a wash technique.

© Irena Eden & Stijn Lernout © Irena Eden & Stijn Lernout Irena Eden & Stijn Lernout , Ohne Titel, (Elektro I-IV), III, 2011
, Pencil and felt pen on paper \ Each 47 x 36 cm
Courtesy krupic kersting galerie ll kuk, Köln
© Irena Eden & Stijn Lernout © Irena Eden & Stijn Lernout Irena Eden & Stijn Lernout , Ohne Titel, (Elektro I-IV), IV, 2011
, Pencil and felt pen on paper \ Each 47 x 36 cm
Courtesy krupic kersting galerie ll kuk, Köln
© Irena Eden & Stijn Lernout © Irena Eden & Stijn Lernout Irena Eden & Stijn Lernout , Circle Surface Sun 2, 2013
, Pencil, dispersion and acrylic on HDF \ Diptych \ Each 69,5 x 49,5 x 4,5 cm
Courtesy krupic kersting galerie ll kuk, Köln
© Irena Eden & Stijn Lernout © Irena Eden & Stijn Lernout Irena Eden & Stijn Lernout , Ohne Titel (Diptychon 2009.80.180), 2009
, Acrylics, pencil, dispersion and adhesive tape on HDF, 188 x 91 cm each
Kollitsch collection

Engaging with the different realities and parameters of space forms the basis of the artistic activity of Irena Eden and Stijn Lernout. The exploration of linear relations within spatial structures is dominant in their drawings and objects as well as being the inspiration behind their large-scale projects, in which they extend the concept of space to include cities and geographic areas. Space as a mathematical form of perception becomes a place of encounter for experiences and emotions.

— Magdalena Koschat

© Irena Eden & Stijn Lernout © Irena Eden & Stijn Lernout Irena Eden & Stijn Lernout , Ohne Titel, 2012
, Acrylics and dispersion on HDF, approx. 45 x 35 x 20 cm
Kollitsch collection

Irena Eden and Stijn Lernout work with geometrical bodies which are taken apart and then reorganised and distorted to create new perspectives. The duo's works are bound to a system of coordinates that also directs the sculptures on their way to occupying three-dimensional space. 

— Magdalena Koschat

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