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21.10.2024 - 04.07.2025

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  • Afra Al Suwaidi
  • Maria Anwander & Ruben Aubrecht
  • Thomas Arnolds
  • Rozbeh Asmani
  • Cornelia Baltes
  • Alfredo Barsuglia
  • Hubert Becker
  • Wolfgang Becksteiner
  • Hans Bischoffshausen
  • Lucile Boiron
  • Brandy Brandstätter
  • Brandy Brandstätter / Kollitsch
  • Karl Brandstätter
  • Julius Brauckmann
  • Ulu Braun
  • Edward Burtynsky
  • Christopher Bucklow
  • Sandi Červek
  • Caroline Wells Chandler
  • Sandro Chia
  • Louisa Clement
  • Natalie Czech
  • Anna Daučíková
  • Violet Dennison
  • Ines Doujak
  • Lutz Driessen
  • Sophie Dvořák
  • Irena Eden & Stijn Lernout
  • Simon Edmondson
  • Cédric Eisenring
  • Jan Paul Evers
  • Lino Fiorito
  • Gernot Fischer-Kondratovitch
  • Christian Flora
  • Andreas Fogarasi
  • Dietmar Franz
  • Christian Freudenberger
  • Jakob Gasteiger
  • Michela Ghisetti
  • Antonio Girbés
  • Bruno Gironcoli
  • Gernot Gleiss
  • Dorothee Golz
  • Franz Grabmayr
  • Ernst Gradischnig
  • Vivian Greven
  • Wolfgang Grinschgl
  • Jochem Hendricks
  • Giselbert Hoke
  • Andy Holtin
  • Bernadette Huber
  • Lucy Ivanova
  • Pedro Jardim de Mattos
  • Anna Jermolaewa
  • Eva Jospin
  • Zhanna Kadyrova
  • Rohullah Kazimi
  • Soli Kiani
  • Peter Klare
  • Jakob Lena Knebl
  • Herlinde Koelbl
  • Cornelius Kolig
  • Arnulf Komposch
  • Suse Krawagna
  • Eric Kressnig
  • Robert Kunec
  • Alina Kunitsyna
  • Hans Kupelwieser
  • Ulrich Lamsfuß
  • Margaret Lansink
  • Karl Larsson
  • Tina Lechner
  • Jens Liebchen
  • Axel Lieber
  • Mevlana Lipp
  • Peter Lohmeyer
  • Gerhard Lojen
  • Constantin Luser
  • Klaus Merkel
  • Joel Meyerowitz
  • Sissa Micheli
  • Jürgen Münzer
  • Loredana Nemes
  • Ferdinand Neumüller
  • Marianne Oberwelz
  • Arnold Odermatt
  • Hans Op de Beeck
  • Bernd Oppl
  • Mohannad Orabi
  • Markus Orsini-Rosenberg
  • Aitor Ortiz
  • Olga Pedan
  • Max Peintner & Klaus Littmann
  • Ulrich Pester
  • Margot Pilz
  • Peter Pongratz
  • Arnold Pöschl
  • Hannes Rader
  • Damir Radović
  • Fabian Ramirez
  • Thomas Rentmeister
  • Markus Riebe
  • Megan Rooney
  • Evan Roth
  • Issa Salliander
  • Robert Schad
  • Julia Scher
  • Heimo Setten
  • Stefanie Seufert
  • Eva Schlegel
  • Toni Schmale
  • Ralph Schuster
  • Jon Shelton
  • Hayley Aviva Silverman
  • Tracey Snelling
  • Paul Spendier
  • Nina Rike Springer
  • Laura Stadtegger
  • Martin Steinthaler
  • Esther Stocker
  • Pier Stockholm
  • Howard Tangye
  • Vincent Tavenne
  • Wolfgang Tillmans
  • Mikhail Tolmachev
  • Martina Unterwelz
  • Oman Valentin
  • Anna Virnich
  • Karl Vouk
  • Maja Vukoje
  • Wolfgang Walkensteiner
  • Ina Weber
  • Clemens Wolf
  • Yunyao Zhang
© Jan Paul Evers © Jan Paul Evers Jan Paul Evers, Sommerfrische mit Kunstprofessoren, 2019
, Gelatin silver print, 89,5 x 96,5 cm
Kollitsch Collection
© Jan Paul Evers © Jan Paul Evers Jan Paul Evers, Vergegenwärtige Möglichkeit produktivitätsvermehrender Abkühlung, 2018
, Gelatin silver print, 80 x 80 cm
Kollitsch Collection

The essence of the picture compositions by Jan Paul Evers is based on the theme itself and a comprehensive work process takes shape in the darkroom. His photographs of architecture, landscapes, people and everyday objects are subjected to a multi-layer transformation process which converts the original theme as the starting point into a new picture form, thereby creating a unique piece.

— Magdalena Koschat

© Jan Paul Evers © Jan Paul Evers Jan Paul Evers, Das Leben und der Tod (Jacques Tati), 2019
, Gelatin silver print on baryta paper, hand print, 61 × 48 cm
Kollitsch Collection

In his oeuvre, Jan Paul Evers explores the technical possibilities of analogous black and white camerawork. Starting with a photograph, he creates new, sometimes abstract shapes in a complex darkroom process. The shapes are rooted in his conceptual exploration of space and are brought to life through the effective use of grayscales, the interplay of light and shadow and the use of templates and experimental techniques.

— Magdalena Koschat

Foto: Jan Paul Evers Foto: Jan Paul Evers Jan Paul Evers, Wolfgang (Riesentukan), 2023
, Silbergelatine-Abzug, 62 x 85,5 cm
Kollitsch Collection

Die Essenz der Bildkompositionen Jan Paul Evers wird vom Motiv selbst, als auch von einem umfangreichen Arbeitsprozess in der Dunkelkammer gebildet. Seine Aufnahmen von Architektur, Landschaft, Menschen, Tieren und Gebrauchsgegenständen werden einem vielschichtigen Verwandlungsprozess unterworfen, der das ursprüngliche Motiv als Ausgangspunkt in eine neue Bildform transformiert und daraus ein Unikat entstehen lässt.

Text: Magdalena Koschat

© Jan Paul Evers © Jan Paul Evers Jan Paul Evers, Jegliche Wege der 68er führen in den Supermarkt, 2015
, Gelatin silver print, 105 x 95.5 cm
Kollitsch Collection

In his work, Jan Paul Evers focuses on exploring the technical possibilities of analogue black & white photography. Starting with a photograph, he applies an effective use of greyscale based on a complex darkroom process to extract new and partially abstract picture forms through the interplay of light and shade, the use of templates and the inclusion of experimental techniques and these then take form through his approach to space.

— Magdalena Koschat

© Jan Paul Evers © Jan Paul Evers Jan Paul Evers, Das Krankheitsbild von gestern ist das Ideal von morgen II , 2014
, Gelatin silver print, 103.5 x 146.5 cm
Kollitsch Collection

The essence of the picture compositions by Jan Paul Evers is based on the theme itself and a comprehensive work process takes shape in the darkroom. His photographs of architecture, landscapes, people and everyday objects are subjected to a multi-layer transformation process which converts the original theme as the starting point into a new picture form, thereby creating a unique piece.

— Magdalena Koschat

© Jan Paul Evers © Jan Paul Evers Jan Paul Evers, Down by the River, 2011
, Gelatin silver print, 50 x 57.5 cm
Courtesy of Max Mayer Gallery, Düsseldorf
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