- Maria Anwander & Ruben Aubrecht
- Thomas Arnolds
- Rozbeh Asmani
- Cornelia Baltes
- Alfredo Barsuglia
- Hubert Becker
- Hans Bischoffshausen
- Brandy Brandstätter
- Karl Brandstätter
- Julius Brauckmann
- Ulu Braun
- Edward Burtynsky
- Christopher Bucklow
- Sandi Červek
- Caroline Wells Chandler
- Sandro Chia
- Natalie Czech
- Violet Dennison
- Ines Doujak
- Lutz Driessen
- Sophie Dvořák
- Irena Eden & Stijn Lernout
- Simon Edmondson
- Cédric Eisenring
- Jan Paul Evers
- Lino Fiorito
- Christian Flora
- Dietmar Franz
- Christian Freudenberger
- Jakob Gasteiger
- Michela Ghisetti
- Antonio Girbés
- Bruno Gironcoli
- Gernot Gleiss
- Dorothee Golz
- Franz Grabmayr
- Ernst Gradischnig
- Vivian Greven
- Jochem Hendricks
- Giselbert Hoke
- Andy Holtin
- Bernadette Huber
- Pedro Jardim de Mattos
- Eva Jospin
- Soli Kiani
- Peter Klare
- Jakob Lena Knebl
- Cornelius Kolig
- Arnulf Komposch
- Suse Krawagna
- Eric Kressnig
- Robert Kunec
- Alina Kunitsyna
- Hans Kupelwieser
- Ulrich Lamsfuß
- Margaret Lansink
- Tina Lechner
- Jens Liebchen
- Axel Lieber
- Mevlana Lipp
- Peter Lohmeyer
- Gerhard Lojen
- Constantin Luser
- Joel Meyerowitz
- Sissa Micheli
- Jürgen Münzer
- Loredana Nemes
- Ferdinand Neumüller
- Arnold Odermatt
- Hans Op de Beeck
- Bernd Oppl
- Aitor Ortiz
- Olga Pedan
- Ulrich Pester
- Peter Pongratz
- Arnold Pöschl
- Hannes Rader
- Damir Radović
- Fabian Ramirez
- Thomas Rentmeister
- Markus Riebe
- Megan Rooney
- Evan Roth
- Robert Schad
- Julia Scher
- Stefanie Seufert
- Eva Schlegel
- Toni Schmale
- Ralph Schuster
- Jon Shelton
- Hayley Aviva Silverman
- Tracey Snelling
- Paul Spendier
- Nina Rike Springer
- Laura Stadtegger
- Esther Stocker
- Vincent Tavenne
- Oman Valentin
- Anna Virnich
- Wolfgang Walkensteiner
- Ina Weber
- Clemens Wolf
Clemens Wolf, Remix 11, 2022Sandblasted mirror, 101 x 101 cm
Kollitsch Collection
Fences and grids are an important frame of reference in the oeuvre of Clemens Wolf, who engages with urban spaces, ruins and barriers in his paintings, sculptures, and installations. In his mind, fences are not just a visible boundary, but also raise the question of what lies beyond; of the life on this or the other side of the fence, of freedom and restriction, of the hidden, invisible barriers of our inner life. The artist’s interest in what can’t be seen, in hidden places, is also reflected in his latest works using sandblasted mirrors. The back of the mirror – which can’t be seen – becomes the support medium for a grid-like mesh. Using a sandblaster, he creates a characteristic lattice structure of different shapes, depths, and colours.
