- Maria Anwander & Ruben Aubrecht
- Thomas Arnolds
- Rozbeh Asmani
- Cornelia Baltes
- Alfredo Barsuglia
- Hubert Becker
- Hans Bischoffshausen
- Brandy Brandstätter
- Karl Brandstätter
- Julius Brauckmann
- Ulu Braun
- Edward Burtynsky
- Christopher Bucklow
- Sandi Červek
- Caroline Wells Chandler
- Sandro Chia
- Natalie Czech
- Violet Dennison
- Ines Doujak
- Lutz Driessen
- Sophie Dvořák
- Irena Eden & Stijn Lernout
- Simon Edmondson
- Cédric Eisenring
- Jan Paul Evers
- Lino Fiorito
- Christian Flora
- Dietmar Franz
- Christian Freudenberger
- Jakob Gasteiger
- Michela Ghisetti
- Antonio Girbés
- Bruno Gironcoli
- Gernot Gleiss
- Dorothee Golz
- Franz Grabmayr
- Ernst Gradischnig
- Vivian Greven
- Jochem Hendricks
- Giselbert Hoke
- Andy Holtin
- Bernadette Huber
- Pedro Jardim de Mattos
- Eva Jospin
- Soli Kiani
- Peter Klare
- Jakob Lena Knebl
- Cornelius Kolig
- Arnulf Komposch
- Suse Krawagna
- Eric Kressnig
- Robert Kunec
- Alina Kunitsyna
- Hans Kupelwieser
- Ulrich Lamsfuß
- Margaret Lansink
- Tina Lechner
- Jens Liebchen
- Axel Lieber
- Mevlana Lipp
- Peter Lohmeyer
- Gerhard Lojen
- Constantin Luser
- Joel Meyerowitz
- Sissa Micheli
- Jürgen Münzer
- Loredana Nemes
- Ferdinand Neumüller
- Arnold Odermatt
- Hans Op de Beeck
- Bernd Oppl
- Aitor Ortiz
- Olga Pedan
- Ulrich Pester
- Peter Pongratz
- Arnold Pöschl
- Hannes Rader
- Damir Radović
- Fabian Ramirez
- Thomas Rentmeister
- Markus Riebe
- Megan Rooney
- Evan Roth
- Robert Schad
- Julia Scher
- Stefanie Seufert
- Eva Schlegel
- Toni Schmale
- Ralph Schuster
- Jon Shelton
- Hayley Aviva Silverman
- Tracey Snelling
- Paul Spendier
- Nina Rike Springer
- Laura Stadtegger
- Esther Stocker
- Vincent Tavenne
- Oman Valentin
- Anna Virnich
- Wolfgang Walkensteiner
- Ina Weber
- Clemens Wolf
Simon Edmondson, Green Room No. 2, 2007oil on canvas, 142 x 157 cm
Kollitsch Collection
Simon Edmondson's are often gloomy yet reveal a glimpse of hidden worlds. In exploring the various levels of reality, he exploits destructive powers to make houses and façades collapse in order to reveal a reality in these spaces that was initially hidden. At the same time, his portrayals of people sleeping draw attention to the barriers between consciousness and unconsciousness, dream and reality.
