- Thomas Arnolds
- Rozbeh Asmani
- Cornelia Baltes
- Hubert Becker
- Hans Bischoffshausen
- Brandy Brandstätter
- Karl Brandstätter
- Julius Brauckmann
- Ulu Braun
- Edward Burtynsky
- Sandi Červek
- Caroline Wells Chandler
- Sandro Chia
- Violet Dennison
- Lutz Driessen
- Irena Eden & Stijn Lernout
- Simon Edmondson
- Cédric Eisenring
- Jan Paul Evers
- Lino Fiorito
- Christian Flora
- Dietmar Franz
- Christian Freudenberger
- Jakob Gasteiger
- Michela Ghisetti
- Antonio Girbés
- Bruno Gironcoli
- Gernot Gleiss
- Dorothee Golz
- Franz Grabmayr
- Ernst Gradischnig
- Jochem Hendricks
- Giselbert Hoke
- Andy Holtin
- Pedro Jardim de Mattos
- Eva Jospin
- Soli Kiani
- Peter Klare
- Cornelius Kolig
- Arnulf Komposch
- Robert Kunec
- Alina Kunitsyna
- Hans Kupelwieser
- Ulrich Lamsfuß
- Tina Lechner
- Jens Liebchen
- Mevlana Lipp
- Peter Lohmeyer
- Gerhard Lojen
- Constantin Luser
- Joel Meyerowitz
- Sissa Micheli
- Ferdinand Neumüller
- Olga Pedan
- Ulrich Pester
- Peter Pongratz
- Arnold Pöschl
- Hannes Rader
- Damir Radović
- Thomas Rentmeister
- Markus Riebe
- Megan Rooney
- Evan Roth
- Robert Schad
- Eva Schlegel
- Ralph Schuster
- Jon Shelton
- Hayley Aviva Silverman
- Tracey Snelling
- Nina Rike Springer
- Laura Stadtegger
- Vincent Tavenne
- Oman Valentin
- Anna Virnich
- Ina Weber
Alina Kunitsyna, Matilda Profil, 2014Ink on paper, 120 x 190 cm
Kollitsch Collection
It isn't reality that is reflected with painstaking detail in this realistic-seeming work, but a reality hidden behind the objects. The invisible inner world only opens up on observation of the cover that gives the work its shape, and leaves the barrier to transcendence far behind.
Alina Kunitsyna, Nach Omphala [After Omphala], 2014lithograph, 48 x 64,5 cm
Kollitsch Collection
Alina Kunitsyna, Nach Symbiose [After Symbiosis], 2014lithograph, 39,5 x 54 cm
Kollitsch Collection
Alina Kunitsyna, Hyperkugel [Hyper sphere], 2015Ink on paper, 130 x 130 cm
Kollitsch Collection
Exceptional hills expand the original landscape of spheres, creating a four-dimensional hyper space where an unlimited existence seems possible. The characteristic light colours of the hyper spheres link in with the colour palette of Maria Lassnig’s physical sensation colours which develop within the sphere with lots of light.
