- Thomas Arnolds
- Rozbeh Asmani
- Cornelia Baltes
- Hubert Becker
- Hans Bischoffshausen
- Brandy Brandstätter
- Karl Brandstätter
- Julius Brauckmann
- Ulu Braun
- Edward Burtynsky
- Sandi Červek
- Caroline Wells Chandler
- Sandro Chia
- Violet Dennison
- Lutz Driessen
- Irena Eden & Stijn Lernout
- Simon Edmondson
- Cédric Eisenring
- Jan Paul Evers
- Lino Fiorito
- Christian Flora
- Dietmar Franz
- Christian Freudenberger
- Jakob Gasteiger
- Michela Ghisetti
- Antonio Girbés
- Bruno Gironcoli
- Gernot Gleiss
- Dorothee Golz
- Franz Grabmayr
- Ernst Gradischnig
- Jochem Hendricks
- Giselbert Hoke
- Andy Holtin
- Pedro Jardim de Mattos
- Eva Jospin
- Soli Kiani
- Peter Klare
- Cornelius Kolig
- Arnulf Komposch
- Robert Kunec
- Alina Kunitsyna
- Hans Kupelwieser
- Ulrich Lamsfuß
- Tina Lechner
- Jens Liebchen
- Mevlana Lipp
- Peter Lohmeyer
- Gerhard Lojen
- Constantin Luser
- Joel Meyerowitz
- Sissa Micheli
- Ferdinand Neumüller
- Olga Pedan
- Ulrich Pester
- Peter Pongratz
- Arnold Pöschl
- Hannes Rader
- Damir Radović
- Thomas Rentmeister
- Markus Riebe
- Megan Rooney
- Evan Roth
- Robert Schad
- Eva Schlegel
- Ralph Schuster
- Jon Shelton
- Hayley Aviva Silverman
- Tracey Snelling
- Nina Rike Springer
- Laura Stadtegger
- Vincent Tavenne
- Oman Valentin
- Anna Virnich
- Ina Weber
![Himmel und Erde [heaven and earth]](/var/ezwebin_site/storage/images/kunsthaus/exponate/valentin-oman/himmel-und-erde/226857-1-ger-DE/Himmel-und-Erde-heaven-and-earth_slider_img.jpg "© Oman Valentin")
![Himmel und Erde [heaven and earth]](/var/ezwebin_site/storage/images/kunsthaus/exponate/valentin-oman/himmel-und-erde/226857-1-ger-DE/Himmel-und-Erde-heaven-and-earth_slider_img_mobile.jpg "Himmel und Erde [heaven and earth]")
Oman Valentin, Himmel und Erde [heaven and earth], 1996Mixed media on canvas, 40 x 70 cm
Private collection
Valentin Oman’s artistic approach is driven by the big questions relating to the human existence, transience and a longing for answers. His works are the result of elaborate processes of creation, shaped by his characteristic superimposition and overlapping of various levels and layers of painting and graphical printing techniques. The transcendental diversification of his predominant motifs of the human figure or landscapes contains fragmentary traces of immanence which reflect what was, is, will be and remains.
