Paul Spendier, Zeitgeber, 2018
, Series of 2 colour pigment prints, Edition 3 + 1 AP, 45 x 80 cm each
Kollitsch Collection

The natural cycle of day and night, i.e. the duration of light exposure, is the most important impulse for the earth’s living organisms and plants. In biological terms, this exogenous stimulus that influences our “body clock” and synchronises it with our environment is referred to as a zeitgeber. Similar to greenhouses, where targeted illumination, darkening or heating is used to control the growth of plants, the artist shows a fictional human intervention in nature on the example of the species Impatiens glandulifera. In a kind of field test, the natural vegetation rhythm of the plant is manipulated and even flipped around completely by experimental means, thereby effectively separating the plant from its surroundings.

— Magdalena Koschat

Paul Spendier, Zeitgeber, 2018
, Series of 2 colour pigment prints, Edition 3 + 1 AP, 45 x 80 cm each
Kollitsch Collection

Paul Spendier, Cherry tree, 2021
, magnets, screw connections, stainless steel, height approx. 320 cm, Ø 200 cm
Kollitsch Collection

Ever since the onset of the Industrial Revolution 250 years ago, humans have been influencing the planet’s ecosystem to a high degree. The wish to dominate and exploit nature, born out of pecuniary greed, has damaged the ecological balance on a global scale, sometimes irreversibly so. With Cherry tree, Paul Spendier creates the vision of nature as a construct, where the biological cycle of the tree is no longer required, having been replaced by human intervention and a simple assembly system based on screw connections and magnets. From the shape of the branches to the choice of the season or the location of the tree, everything seems subject to human whim and subjugation. The tree is denied any possibility of a self-determined existence.

— Magdalena Koschat

Paul Spendier, Ohne Titel, 2017
, Edition 12 + 2 AP, Pigment Print, 24 x 17 cm
Kollitsch Collection