- Thomas Arnolds
- Rozbeh Asmani
- Cornelia Baltes
- Hubert Becker
- Hans Bischoffshausen
- Edward Burtynsky
- Brandy Brandstätter
- Karl Brandstätter
- Ulu Braun
- Sandi Červek
- Caroline Wells Chandler
- Sandro Chia
- Violet Dennison
- Lutz Driessen
- Simon Edmondson
- Cédric Eisenring
- Jan Paul Evers
- Lino Fiorito
- Christian Freudenberger
- Antonio Girbés
- Bruno Gironcoli
- Gernot Gleiss
- Dorothee Golz
- Franz Grabmayr
- Ernst Gradischnig
- Jochem Hendricks
- Giselbert Hoke
- Andy Holtin
- Cornelius Kolig
- Arnulf Komposch
- Alina Kunitsyna
- Hans Kupelwieser
- Robert Kunec
- Ulrich Lamsfuß
- Tina Lechner
- Irena Eden & Stijn Lernout
- Gerhard Lojen
- Constantin Luser
- Pedro Jardim de Mattos
- Joel Meyerowitz
- Sissa Micheli
- Valentin Oman
- Ulrich Pester
- Hannes Rader
- Damir Radović
- Thomas Rentmeister
- Megan Rooney
- Evan Roth
- Robert Schad
- Jon Shelton
- Ralph Schuster
- Hayley Aviva Silverman
- Tracey Snelling
- Nina Rike Springer
- Vincent Tavenne
- Anna Virnich
- Ina Weber
Tracey Snelling, Clusterfuck 6, 2016Mixed techniques, videos, sound, LEDs, 60 x 40 x 40 cm
Kollitsch Collection
In her works, Tracy Snelling combines sculpture with video, sound, photography and light. The works are the result of the artist’s socio-critical approach to society and the individual and enable participation in exaggerated, fictitious realities in a somewhat voyeuristic way. In Clusterfuck 6, a multi-layered chaos of various issues and cultures can be observed, condensed within a small sculptural space. By attempting to bring order to the overloaded image in visual and multi-media terms, the observer is drawn into a diverse voyage of discovery of simultaneity and opposites.
