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21.10.2024 - 04.07.2025

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  • Afra Al Suwaidi
  • Maria Anwander & Ruben Aubrecht
  • Thomas Arnolds
  • Rozbeh Asmani
  • Cornelia Baltes
  • Alfredo Barsuglia
  • Hubert Becker
  • Wolfgang Becksteiner
  • Hans Bischoffshausen
  • Lucile Boiron
  • Brandy Brandstätter
  • Karl Brandstätter
  • Julius Brauckmann
  • Ulu Braun
  • Edward Burtynsky
  • Christopher Bucklow
  • Sandi Červek
  • Caroline Wells Chandler
  • Sandro Chia
  • Louisa Clement
  • Natalie Czech
  • Violet Dennison
  • Ines Doujak
  • Lutz Driessen
  • Sophie Dvořák
  • Irena Eden & Stijn Lernout
  • Simon Edmondson
  • Cédric Eisenring
  • Jan Paul Evers
  • Lino Fiorito
  • Gernot Fischer-Kondratovitch
  • Christian Flora
  • Andreas Fogarasi
  • Dietmar Franz
  • Christian Freudenberger
  • Jakob Gasteiger
  • Michela Ghisetti
  • Antonio Girbés
  • Bruno Gironcoli
  • Gernot Gleiss
  • Dorothee Golz
  • Franz Grabmayr
  • Ernst Gradischnig
  • Vivian Greven
  • Jochem Hendricks
  • Giselbert Hoke
  • Andy Holtin
  • Bernadette Huber
  • Lucy Ivanova
  • Pedro Jardim de Mattos
  • Anna Jermolaewa
  • Eva Jospin
  • Zhanna Kadyrova
  • Rohullah Kazimi
  • Soli Kiani
  • Peter Klare
  • Jakob Lena Knebl
  • Herlinde Koelbl
  • Cornelius Kolig
  • Arnulf Komposch
  • Suse Krawagna
  • Eric Kressnig
  • Robert Kunec
  • Alina Kunitsyna
  • Hans Kupelwieser
  • Ulrich Lamsfuß
  • Margaret Lansink
  • Karl Larsson
  • Tina Lechner
  • Jens Liebchen
  • Axel Lieber
  • Mevlana Lipp
  • Peter Lohmeyer
  • Gerhard Lojen
  • Constantin Luser
  • Joel Meyerowitz
  • Sissa Micheli
  • Jürgen Münzer
  • Loredana Nemes
  • Ferdinand Neumüller
  • Marianne Oberwelz
  • Arnold Odermatt
  • Hans Op de Beeck
  • Bernd Oppl
  • Mohannad Orabi
  • Markus Orsini-Rosenberg
  • Aitor Ortiz
  • Olga Pedan
  • Max Peintner & Klaus Littmann
  • Ulrich Pester
  • Margot Pilz
  • Peter Pongratz
  • Arnold Pöschl
  • Hannes Rader
  • Damir Radović
  • Fabian Ramirez
  • Thomas Rentmeister
  • Markus Riebe
  • Megan Rooney
  • Evan Roth
  • Robert Schad
  • Julia Scher
  • Heimo Setten
  • Stefanie Seufert
  • Eva Schlegel
  • Toni Schmale
  • Ralph Schuster
  • Jon Shelton
  • Hayley Aviva Silverman
  • Tracey Snelling
  • Paul Spendier
  • Nina Rike Springer
  • Laura Stadtegger
  • Esther Stocker
  • Vincent Tavenne
  • Wolfgang Tillmans
  • Mikhail Tolmachev
  • Martina Unterwelz
  • Oman Valentin
  • Anna Virnich
  • Karl Vouk
  • Maja Vukoje
  • Wolfgang Walkensteiner
  • Ina Weber
  • Clemens Wolf
  • Yunyao Zhang
© Dorothee Golz © Dorothee Golz Dorothee Golz, Madonna mit den weißen Federn [Madonna with the White Feathers], 2011
, C-Print, Diasec, 130 x 98 cm
Kollitsch Collection

The Madonna's is directed downwards, her head inclined, her posture graceful. However, the delicate hands do not tenderly hold the baby Jesus, but rest against a designer dress. The contrast between the fashionable clothing and the symbolism of the Madonna draws attention to the role of women in society, a topic which the artist explores in her digital paintings. 

— Magdalena Koschat

© Dorothee Golz © Dorothee Golz Dorothee Golz, Prada-Girl, 2012
, C-Print, Diasec, 130 x 102 cm
Kollitsch Collection

The historically influenced view of the role of women and the present-day depiction of women in women's magazines inspire Dorothee Golz to play with contemporary clichés. In this work, the artist depicts a young lady from the 15th century wearing a sophisticated mini-dress and valuable accessories against a rustic background.  The proud, inflexible gaze of this fine figure rises symbolically above all the time traveller's compulsions.

— Magdalena Koschat

© Dorothee Golz © Dorothee Golz Dorothee Golz, PX3307, 2016
, Acrylic plaster, pigmented paints, 21,5 x 21,5 x 7 cm
Kollitsch Collection

The sculptures of the PX series, which Dorothee Golz began in 1989 and has been working on ever since, draw inspiration from everyday objects from the artist’s surroundings. Selected features or set pieces are then combined to create new objects. Features such as the surface finish, colours or tactility of previous sculptures are merged with later works, ensuring the ongoing development of the PX series from generation to generation. Dorothee Golz sees it as an evolutionary process, to be interpreted as an analogy to human genetics and Mendel’s laws of heredity. The complex “family” relations of the PX sculptures are shown in a specially developed computer programme, similar to a family tree.

— Magdalena Koschat

© Dorothee Golz © Dorothee Golz Dorothee Golz, PX3906, 2012
, Acrylic plaster, pigmented paints, 13 x 13 x 8 cm
Kollitsch Collection
© Dorothee Golz © Dorothee Golz Dorothee Golz, PX2411, 2016
, Acrylic plaster, 16 x 16 x 7,5 cm
Kollitsch Collection
© Dorothee Golz © Dorothee Golz Dorothee Golz, PX2303, 2016
, Acrylic plaster, pigmented, 25 x 25 x 12,5 cm
Kollitsch Collection
© Dorothee Golz © Dorothee Golz Dorothee Golz, PX1407, 2016
, Acrylic plaster, chalk surface, 30,5 x 30,5 x 10,5 cm
Kollitsch Collection
© Dorothee Golz © Dorothee Golz Dorothee Golz, PX3702, 2016
, Acrylgips, Kreidegrund, 37,5 x 37,5 x 10 cm
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